All of these things are all at play all the time in everybody, and I was really more interested in looking at that aspect of it than making some sort of definitive statement about culture. It’s just looking inside of various aspects of it, and really raising questions, different points of view because it’s all so complicated, and I think sometimes –and I’m not talking about cancel culture, I’m talking about issues in general– we have a tendency to put them in a box and say ‘This is what that is’, and I feel like as human beings we’re very complicated and messy creatures with so many conflicting impulses for self-preservation, for wanting to be morally a good person, for wanting to succeed in the world. How do we get the overall society to forgive someone?Įhrin: I don’t think it’s that severe of a thesis. What was your feeling about cancel culture as Mitch and Alex dissected it. One of the main themes this season was cancel culture and analyzing that. I do them to some extent because they’re great, they have a purpose, but I really feel good emotionally about what I’m doing, when I need to land it. I’m not really a writer that lives in cliffhangers. It’s really interesting to me, and it’s cool, but I always felt like we needed a landing place for Alex emotionally, for Bradley.
One of the really interesting things about doing this job is seeing how other people interpret it, react to it, and respond to it emotionally. Kerry Ehrin: I didn’t ever think of that as an ending. With the audience learning of Alex’s COVID at the end of Episode 9, you could have ended the season there and left us hanging. I once heard Jenji Kohan say in an interview for Weeds, that her last episode of a season serves as the first episode of the next season, while the penultimate episode is really the finale of the current season. Note, Apple has yet to announce a season 3 pick-up of The Morning Show. She crashes Cory’s office, and immediately gets his attention with it, the executive telling her the footage is a “living monument for humanity’s capacity for good,” high praise and insight for a season that has examined cancel culture and whether or not the mass media can reverse it, for better or for worse. Don’t worry, Bradley, Laura has a remote studio in her house where you can work from.Īn interesting dangler is Mitch’s documentary filmmaker lover Paola (Valeria Golino) with the last confessional footage of the infamous anchor. A big pivot tonight is that UBA boss Cory Ellison (Billy Crudup) expresses his deepest love to Bradley this after her lover, Laura Peterson (Julianna Margulies) offers her to move out to Montana to live with her. She could have easily left us hanging at the end of Episode 9 when we first learn that after Alex was canceled, she’s got Covid. “Fever” doesn’t leave us with any great cliffhangers heading into season 3, and Ehrin tells us why that is. 'The Morning Show' Kills Off Major Character
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Season 2 of The Morning Show takes up through mid-March, just as the world is locking down and the UBA brass are discussing how to work home remotely, something Alex’s devoted producer Chip Black (Mark Duplass) has already figured out.
20, 2019, The Morning Show EP Kerry Ehrin was quite prescient about the invasion of Covid as Reese Witherspoon’s Bradley Jackson reports on a Papua New Guinea bound cruise ship which is delayed at port for four days of quarantine, carrying 5K passengers. If you remember back on the season one finale, which dropped on Dec. Jennifer Aniston’s anchor Alex Levy literally goes on air as she battles the virus, for what is a cathartic monologue before her viewership in the wake of being “canceled” following Maggie Brenner’s tell-all book about the host’s affair with her morning show co-host Mitch Kessler. Season one of AppleTV+’s The Morning Show ended arguably with Covid, and so does season 2. Warning: The following interview contains spoilers about The Morning Show’s season 2 finale episode “Fever”
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